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Star persona Feedback

Self Assessment: 3) Now reflect on your own work. How did your star persona mood board planning help clarify and develop your ideas? The makeup used within my video matched the inspiration in the mood board. We see that the undead mermaid has decomposing flesh and lots of gory features as well as beautiful makeup. 4) Thinking technically, how could you improve your work for future videos? (E.g. filming, editing, sound etc. In future videos, I will try to create less negative space and have the 'star' as the focus of attention and be in more line of the shot. The background of the shot also seemed quite unprofessional as the room was messy and you could see posters in the background.  The lighting also made it quite difficult to see the 'star' clearly, so the makeup couldn't be properly appreciated. 5) Thinking in terms of mise-en-scene, what were the aspects of CLAMPS you used effectively in your video? Costume: In terms of costume, the make up was used effe
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The rise of foreign-language TV: Blog tasks

Read this  Independent feature on foreign-language dramas . It features an in-depth interview with Walter Iuzzolino who curates Channel 4's Walter Presents programming. Answer the questions below: 1) What does the article suggest regarding the traditional audience for foreign-language subtitled media? The traditional audience for foreign-language drama would be usually quite educated citizens as they would have an incline to explore different cultures away from their own.  "The unfamiliar setting gives a freshness to genre pieces." Different conventions may become cliche and through foreign language dramas, there may be new conventions viewers from the UK aren't used to 2) What does Walter Iuzzolino suggest is the key appeal of his 'Walter Presents' shows? Walter says it is "urban, real and multicultural" and this appeals to a wide variety of people as they are becoming more accustomed to other cultures because of globalisation. People want to le
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A Field in England 2

1) Summarise the article in 50 words. 2) What are some of the suggested audience pleasures for arthouse film? 3) Why do some audiences struggle with arthouse film? Refer to some media  theory  here (there are some important media theories discussed in the article itself). 4) To what extent is arthouse film only for the  middle classes  and  older audiences ? Why might this be the case? 5) What type of audience would  A Field In England  appeal to? What about  Chicken ? 1) Read this  BFI Insight report into the release and reception of the film . What was the purpose of the report?  2) What was the budget for  A Field In England ? 3) What were the key numbers in terms of cinema box office takings, TV viewers, VOD and DVD sales?  4) What was the primary target audience for  A Field In England ? Does this surprise you? How does it contrast with your answer to question 5 in the tasks above? 5)  What did the report conclude with regards to  social media  and the marketing campaign
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